Why Tie a Fish Filet in Your Hair?

Beautiful woman, with a face of rings,
answer me these puzzling things:

Why tie a fish filet in your hair,
or keep a headdress tied in your shoe?

Why leave roasting ribbons
(skinless, boneless, chunky white ribbons)
wrapped round synonyms for glue?

Why place seahorse bones in every print
your foot has stepped in wrapped in lint?

Why make the TV only blur?
Why make a hacksaw out of fur?

Why leave the literati twirling in the trees?
Why choreograph a minor ballet danced only on the knees?

Why gather sailors’ ends,
and keep cold comfort warm,
pack the world inside a can,
pray for a stronger storm.

“Oh what am I to do?
Oh what am I to do?
It’s what my master tells me to.”

Plaque at South Dakota Landmark for Rev. Nicholas Barnstable, Once Called “The American St. Patrick”

The Reverend Nicholas Barnstable at one time was considered to be “The American St. Patrick” for his work in converting countless scores of Plains Indians to Christianity.

Whereas St. Patrick used the shamrock to explain to the Irish people the great mystery of the Holy Trinity, how the Father, the Son and the Holy Spirit can be three distinct spiritual entities, yet form a single spiritual entity, Barnstable did not have the shamrock
(non-indigenous to the Great Plains) to fall back on.

Legend has it that Barnstable was sitting on a hill contemplating how to explain the Holy Trinity when he noticed the black plume of smoke coming over the horizon. While others would have recognized it as merely “The Ole 315 from Kansas City,” Barnstable, in his religious fervor, interpreted it as divine intervention and praised all three members of the Holy Trinity simultaneously by shouting, “Thank you Lord for this sign!”

Barnstable substituted the train for St. Patrick’s shamrock, using it explain the mystery of the Holy Trinity to the Indians by pointing to how the engine, the coal car and the caboose are distinct entities, yet form a single train.

The turning point for Barnstable came one day when a Sioux brave innocently asked, “If the Father is the Engine and the Son is the caboose and the Holy Spirit is the coal car, then who is the dining car?”

Barnstable thought deeply on the subject and independently expanded the Holy Trinity into a “Holy Octet,” adding “The Mother,” “The Divine Wind,” “The All-Seeing Eye,” “The Sandman,” and “Average Joe”, to account for the dining car, smoking car, observation car, sleeping car, and passenger car respectively.

Rev. Barnstable was hung on this spot on October 5, 1853 by a special joint Methodist/Baptist/Catholic apostasy posse.

about her lightning

about her lightning
jackpots and broken masks
representing
hydrogen-
reaching
it’s cleave
to task

throw-in(s:)
one particular
today’s enamel chameleon
a tinkle
a neophyte
aubergine

clear it!
clear it out!
that wobbly stereo from her
shout
that send-off from her father’s home
her mother’s cast
her doubt

the sum of the past
a treatise in treaties
nightstick-fixing for five
tipping
bent stupidities

an’ya own tha’
doorway’too
do ya?

over-heating
hearing
attributes of
sender-imperfection
that stepson from her
cloister
the roux of
prodigal
engineering

her hydrofoil nightshirt
her current courtyard
truck
lighthouse
chip
the heathen motorist
more western than
throttles

I guess
the leaves pimple up
their own marvels
court-martials turn
truant

I’m told
this is the background
to repeat
her light
poisoning
her own
martyr

Bulger, Dear Bugler

Bulger, dear bugler,
Blow off your bones and skin.
Could you know?
How could you know?
How grief bends our hearts in?

ASK I: “Banana Me!”

Q: I am, and I hate. I retreat where guys sport jackets, stop, shop or at least depart. Banana me!

A: It’s definitely a thing – speed. All super-special air, pants a few weeks long.

Nix.

Slow and deliberate things that are familiar.

New the slope of the depth.

Arm the nuance.

Burn, range and persimmon.

Even a turtle should sing the golden rule: “Tailor, tailor tailor!”

Now go forth and bond with two special brothers.

Barn New York (house the rest).

Join your best friend and challenge him to find a killer.

Take a tail and chain Fifth Avenue.

Lord, Man or Blooming out the great?

Don’t forget a personal can save you hours of indecisive browsing.

Also, do keep in mind a banana.

You only need one wind, 89 rings and my 22-year old nephew.

Ears with sleeves, push this shiny number downtown!


blackout composition, source: “Ask Teri”, Teri Agins, “The Wall Street Journal”, 4/18/13.

in situ, below…

blackout advice column

nag cloud

visual poetry

It’s Written Across the Sun or Moon at Any Time of Day

visual poetry

Saturday, In a Light Gone Sunday

Saturday, in a light
Of two Saturns painted white,
We searched for fillings from my cavities.
By the time we were done,
We saw Sunday’s setting sun
And laughed that we had drained our batteries.

The Poem I Could Not Put in My Pocket on Poem in Your Pocket Day

Thank you so much for asking about me.

It’s good to get out and get some air – if ever so briefly.
You can only imagine what it’s like in there.

The wallet, so big and bulky,
crowding everyone out –
thinking it owns the place.

The coins so cold and smug –
so full of themselves, they won’t
even turn to look you in the eye,
let alone have a conversation.

The only one in there who’ll give me the time of day
is a receipt from a pet store,
but the time never changes,
and all he has to talk about
is the price of cat food and kitty litter.

Such horrible companions!

And as for my cruel creator –
Yes, I call him that – cruel –
for to we, the created, it is cruel
to bring a new thing into the world
only to hide it in your pocket
in case the right people ask.

You disagree?

Well, so be it.
In the end the joke will be on him
for entire lifetimes
have been wasted
stuffing pockets
and becoming heavy
with things
that complain.

Wait –
Please –

If you are to hand me over
just one thing –
just fold me the other way.
I know, it’s true, what they say,
“Once folded, always creased,”
but I’ve been folded this way for so long
maybe a change will do me good.

Or if you want, you could always run away with me,
Or if you couldn’t be burdened with me,
just leave me some place there is a good wind
and let me be taken by it to hands that will receive me.

Or you can dutifully hand me back.

What will you do with me
now that you have found me?


I started this poem on Thursday, April 18, 2013, the day The American Academy of Poets designated for their annual “Poem in Your Pocket Day.”

If I had to choose a poem written by someone else, I would have chosen e.e. cummings “anyone lived in a pretty how town” – probably my favorite poem. But I wanted to write a poem of my own to put in my pocket.

Yet, as I was writing it, the poem sort of turned on me, and didn’t want to finish itself until only recently. So I place it here, hopefully “some place there is a good wind” (although it is a very small wind, but sometimes that’s all that’s required), and hope it will judge me less cruel having done so.

Also, for some odd reason, when I read the poem in my head, I read it with the voice, cadence and intonation of William Carlos Williams on PennSound’s recording of “This is Only to Say”. But that’s just me…and I may be breaking some unwritten rule of poetry (“thou shalt not instruct the reader to hear the poem in the voice of another poet”) in even mentioning it. Fortunately, the fines for breaking rules in poetry are minimal.

Rat Poem

collage poetry

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